#63 The first M4 rolls

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Linköping, Sweden – Leica M4 and Elmar M 50/2.8 – T-MAX 400 film

The first two rolls of film from my new (51 years new…) Leica M4 has arrived. I must say I am happily surprised. I didn’t miss the exposure on any of the pictures, even though the camera lack a  light meter. I have started to try and see and understand the light. It’s not always easy – far from it – but I see it as a challenge. This was exactly what I was looking for. A camera that challenge me…

My daughters bed – Leica M4 and Elmar M 50/2.8 – T-MAX 400 film

I spent about 20 years or so, shooting black and white film (mostly TRI-X 400) back in the 1980:s and 1990:s. I love the grain and the smoothness you find in an analogue picture. The pictures are not technically perfect, as the digital pictures tend to be these days. There was a time in the beginning of the digital era, when film still was superior to the digital picture – but not any more. Still I find joy in both kinds of photography.

Kiruna, Sweden – Leica M4 and Elmar M 50/2.8 – T-MAX 400 film

I measured the light in some different ways, but mainly I tried to make one reading and then judge how the light changed. Now and then I would check the readings of my grandfathers old Zeiss Ikophot light meter or my phone (with an app called Lux). I found that I could not really rely on the sunny 16 rule. I am not sure why – but I suppose that it could be due to the fact that the sun is really low in Sweden during the winter.

The Stockholm Metro – Leica M4 and Elmar M 50/2.8 – T-MAX 400 film

The sunny 16 rule says that I should be able to use 1/400 of a second and aperture 5.6 in heavy clouds. I often found that I had to open up to 2.8 in these situations, to get a proper exposure. Perhaps it will work better in the spring, as the sun get up higher in the sky. I have decided to use mainly 400 ASA film for starters, to get a feel of judging the exposure. Now I have put a good old TRI-X 400 in the camera. This film has a little more grain than the T-MAX, which can be really nice.

The cat on the stairs – Leica M4 and Elmar M 50/2.8 – T-MAX 400 film

To practise the “exposure judging skill”, I have started to use my M240 at 400 ASA and fully manual control. The arrows in the finder shows how I should turn the speed/aperture, so I must make the judgement before I look in the finder. What I found is that it can be much faster to get a good exposure if I go fully manual. I get a better understanding of how the light affect the picture, when I am more involved in the metering process – compared to when I let the camera decide.

Linda – Leica M4 and Elmar M 50/2.8 – T-MAX 400 film

My new lens – the Leica Elmar M 50/2.8 is one cool little lens. One of the cheapest Leica lenses, but this a fantastic little lens. When I first took it up from the box it struck me how this little lens could be that heavy. It actually weighs just as much as my Zeiss Planar 50/2 with mounted lens hood and lens cap front and back. In the comparison the Elmar lens had no lenscap at all. When shot at wide open (2.8) I think the bokeh is nice. It has a little more soul than the Zeiss Planar. Could this be my first step into the Leica lens jungle, which I never will find my way out of?

2 Comments Add yours

  1. In those conditions I always push my Tri-X 400 one stop with Leica, occasionally check my Weston meter. Makes life so much easier.

    Like

    1. Per says:

      That seems like a good tip. I will try it 🙂

      Liked by 1 person

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